像是另一种画风的《高考前妈妈用身体鼓励孩子的话语》在极致孤独的时光里把绝望转化为实体的脂肪用富有仪式感的慢性自杀祭奠挚爱与单男的忧郁不同的是《两个小孩去甄姬家完整版图片》更显悲怆极力渲染不愿被拯救的哀痛和巨物陨落的悲壮达伦出色的室内镜头调度和布兰登费舍的精湛表演相得益彰几段查理起身、暴食的独角戏里他如同化身追逐白在你背后的亚哈船长也是那头被当做猎物的白在你背后信仰与凡爱的对立、亲情与怨恨的矛盾如明暗分割的灯光在脸上相对但父女线实在是刻画得过于粗糙直接达伦像是清楚这一段即短板又重要用力过猛地一遍遍强调那句“You are amazing”过分地煽情反而损耗了我前半段积攒的情绪当查理在女儿的读书声里站起来企图把巨物之死烘托得温情而壮烈给夸张沉重的脚步特写时我脑子立刻浮现出“假”字
筛瑞噗儿:121.76.254.142
hmm...hmm...honestly, I don't know what to say...and...hmm...to hide the fact that not only I don't get this movie but I'm one of "them", as well, I gave it a five star, which is rare on my list. After all, it is Woody Allen. ;-)
樱花纷飞时:182.82.5.41
一点一横长一撇到南洋十字对十字日头对月亮既是导演又是演员既是动作剪辑又是服装道具在你背后有着自己坚持的作者导演绝对的艺术家令人敬佩家国情怀忠臣孽子旅途过客......断肠人在天涯I Go, O No.